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        世界藝評(píng)人協(xié)會(huì)公布2014年大獎(jiǎng)11個(gè)項(xiàng)目提名

        中藝網(wǎng) 發(fā)布時(shí)間: 2015-03-03
        日前,世界藝評(píng)人協(xié)會(huì)(International Art Critics Association)公布了2014年藝評(píng)人大獎(jiǎng)提名。藝評(píng)人大獎(jiǎng)主要從展覽、表演、創(chuàng)作以及博客等四方面評(píng)獎(jiǎng)。據(jù)悉,400多位藝評(píng)人協(xié)會(huì)會(huì)員將投票選出各類獎(jiǎng)項(xiàng)獲獎(jiǎng)人,其中包括畫(huà)家Katherine Bernhardt等等均已入圍,以下是全部提名人名單。

        1)最佳場(chǎng)景變化展覽獎(jiǎng)(替代空間、公共藝術(shù)、項(xiàng)目空間)

        — Kara Walker: A Subtlety / Domino Sugar Factory, Brooklyn / Creative Time

        — Greer Lankton, LOVE ME / Participant Inc., New York

        — Andres Serrano: Residents of New York / Washington Square Park area

        — @Large: Ai Weiwei at Alcatraz / Alcatraz Island, CA / For-Site Foundation

        — A Certain Slant of Light: Spencer Finch at the Morgan / Morgan Library Atrium,

        New York

        — Faith Wilding: Fearful Symmetries, A Retrospective / Threewalls, Chicago

        — Wu Tsang: Moved by the Motion / Diverse Works, Houston

        — Bridge, by Glenn Kaino / Naval Building 170, Washington D.C. / 5 x 5 / Curated by

        Shamin M. Momim

        2) 最佳時(shí)空格式獎(jiǎng)(表演藝術(shù)、視頻電影、聲音藝術(shù))

        — Adam Shecter: New Year / Eleven Rivington, New York

        — Ragnar Kjartansson: The Visitors / Institute of Contemporary Art, Boston

        — Mary Reid Kelley: Working Objects and Videos / Samuel Dorsky Museum of Art,

        SUNY New Paltz, New Paltz, NY / Curated by Daniel Belasco

        — “Dutchman” by Rashid Johnson / Red Square Russian and Turkish Baths,

        Chicago, IL / Performa Commission / Curated by Adrienne Edwards

        — “MEEM 4 MIAMI: A Story Ballet About the Internet” by Ryan McNamara

        Miami Grand Theater at Castle Beach Resort, Miami / Performa Commission

        — Stan Douglas: Luanda-Kinshasa / David Zwirner, New York

        — Gerard and Kelly: Timelining / The Kitchen, New York / Curated by Tim

        Griffin

        — Irina Botea: It Is Now A Matter of Learning Hope / Threewalls, Chicago

        3) 紐約商業(yè)空間最佳展覽獎(jiǎng)

        — Nancy Grossman: The Edge of Always, Constructions from the 1960s / Michael

        Rosenfeld Gallery, New York

        — Robert Longo / “Gang of Cosmos” / Metro Pictures, New York and “Strike the Sun” / Petzel Gallery, New York

        — Picasso and Jacqueline: The Evolution of Style / Pace Gallery, New York

        — Stan Douglas: Luanda-Kinshasa / David Zwirner, New York

        — Katherine Bernhardt: Stupid, Crazy, Ridiculous, Funny Patterns / CANADA, New

        York

        — Une Danse des Bouffons (or A jester’s dance) by Marcel Dzama / David Zwirner,

        New York

        — Allen Ruppersberg / Greene Naftali, New York

        — Robert Rauschenberg: The Fulton Street Studio, 1953–54 / Craig F. Starr, New

        York

        4) 美國(guó)商業(yè)空間最佳展覽獎(jiǎng)

        — Lizzie Fitch/Ryan Trecartin / Regen Projects, Los Angeles

        — Hiroshi Sugimoto: Acts of God / Fraenkel Gallery, San Francisco

        — Jonas Wood / David Kordansky Gallery, Los Angeles

        — Katherine Bernhardt: Doritos and Diet Coke / China Art Objects, Los Angeles

        — Margot Bergman: Greetings / Corbett vs. Dempsey, Chicago

        — Mickalene Thomas: I was born to do great things / Kavi Gupta, Chicago

        — Donald Moffett: head / Lora Reynolds Gallery, Austin, Texas

        — Tomas Chimes: The Body in Spirals / Locks Gallery, Philadelphia

        5) 紐約最佳博物館主題展覽獎(jiǎng)

        — Henri Matisse: The Cut-Outs / MoMA New York / Curated by Karl Buchberg

        and Jodi Hauptman

        — Robert Gober: The Heart Is Not a Metaphor / MoMA, New York / Curated by

        Ann Temkin

        — Chris Ofili: Night and Day / New Museum, New York / Curated by

        Massimiliano Gioni

        — Sigmar Polke: Alibis / MoMA, New York / Curated by Kathy Halbreich

        — Maria Lassnig / MoMA PS1, Queens, New York / Curated by Peter Eleey

        — Jeff Koons / Whitney Museum of American Art, New York / Curated by Scott

        Rothkopf

        — Madame Cezanne / Metropolitan Museum of Art, New York, NY / Curated by Dita

        Amory

        — Charles Gaines: Gridwork 1974-1989 / The Studio Museum in Harlem, New York,

        NY / Curated by Naima J. Keith

        6) 美國(guó)最佳博物館主題展覽獎(jiǎng)

        — Beatriz Milhazes: Jardim Botanico / Perez Art Museum, Miami / Curated by

        Tobias Ostrander

        — Christopher Williams: The Production Line of Happiness / Art Institute of Chicago,

        Chicago / Curated by Matthew S. Witkovsky

        — Pierre Huyghe / Los Angeles County Museum of Art, Los Angeles / Curated

        by Jarrett Gregory

        — Keith Haring: The Political Line / deYoung Museum, San Francisco / Curated

        by Dieter Buchhart

        — Simon Starling: Metamorphology / MCA Chicago, Chicago / Curated by Dieter

        Roelstraete / June 7–November 6, 2014

        — Richard Estes’ Realism / Smithsonian American Art Museum, Washington, D.C. /

        Curated by Patterson Sims, Jessica May, and Virginia Mecklenburg

        — Dear Nemesis, Nicole Eisenman / ICA, University of Pennsylvania, Philadelphia / Curated by Kelly Shindler / September 19–December 28, 2014

        — Mel Chin: Rematch / New Orleans Museum of Art, New Orleans / Curated by

        Miranda Lash / February 21–May 25, 2014

        — Robert Motherwell: The East Hampton Years, 1944-1952 / Guild Hall Museum,

        East Hampton, N.Y. / Curated by Phyllis Tuchman

        — John Zurier: MATRIX 255 / UC Berkeley Art Museum and Pacific Film Archive,

        Berkeley, Calif. / Curated by Apsara DiQuinzio

        — Robert Smithson’s New Jersey / Montclair Art Museum, Montclair, N.J. / Curated by

        Phyllis Tuchman and Gail Stavitsky

        7) 紐約最佳主題博物館獎(jiǎng)

        — Here and Elsewhere / New Museum, New York / Curated by Massamiliano

        Gioni / July 16–September 28, 2014

        — Italian Futurism, 1909–1944: Reconstructing the Universe / Solomon R. Guggenheim Museum, New York / Curated by Vivien Greene

        — ZERO: Countdown to Tomorrow / Solomon R. Guggenheim Museum, New York / Curated by Valerie Hillings

        — Cubism: The Leonard A. Lauder Collection / Metropolitan Museum of Art, New

        York / Curated by Rebecca Rabinow and Emily Braun

        — Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 6th

        Century / Metropolitan Museum of Art, New York / Curated John Guy

        — From the Margins: Lee Krasner and Norman Lewis / The Jewish Museum, New

        York, N.Y. / Curated by Norman L. Kleeblatt

        8) 美國(guó)最佳主題博物館獎(jiǎng)

        — Fiber: Sculpture 1960-Present / ICA Boston, Boston / Curated by Jenelle Porter

        — Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music / The

        Phillips Collection, Washington, DC / Curated by Cornelia Homburg

        — Gorgeous / Asian Art Museum, San Francisco, CA / Curated by Alison Harding

        and Forrest McGill / June 20–September 14, 2014

        — Experiments with Truth: Gandhi and Images of Nonviolence / The Menil

        Collection, Houston, TX / Curated by Josef Helfenstein

        9) 最佳藝術(shù)批評(píng)獎(jiǎng)

        — Jed Pearl / New York Review of Books / “The Cult of Jeff Koons,” September 25,

        2014 and “You Can’t Catch Picasso,” December 18, 2014

        — Holland Cotter / The New York Times

        — Jenni Quilter / New York Painters and Poets, Rizzoli / Neon and Daylight, Rizzoli

        — Robert Atkins / “Everybody’s Art” in Art in America, March 2014

        — Lilly Wei / Essay from Beauty Reigns catalogue, McNay Art Museum ____ Hilton Als / “I Don’t Remember,” essay from Robert Gober: The Heart Is Not A Metaphor catalogue, MoMA

        — Peter Schjeldahl / “In With The New,” in The New Yorker, October 27, 2014

        — Peter Plagens / Bruce Nauman: the True Artist, Phaidon

        10) 最佳藝術(shù)報(bào)道獎(jiǎng)

        — Randy Kennedy / The New York Times

        — Phillip Kennicott / “An Art Loan from Bill Cosby Draws the Smithsonian into a

        National Debate,” The Washington Post, November 20, 2014

        — Carol Kino / “Marion Goodman’s New London Gallery,” Wall Street Journal,

        August 5, 2014

        — Jillian Steinhauer / Hyperallergic

        — Jen Graves / Seattle Stranger

        11) 最佳博客獎(jiǎng)

        — haberarts.com by John Haber

        — Art F City

        — The Silo by Raphael Rubinstein

        —Hyperallergic

        — Big Red & Shiny: Our Daily Red (Boston)

        — Newcity Art (Chicago)





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